AIDC Screen Hub Coverage

AIDC was extensively covered by Screen Hub reporters and the full selection of articles are available below. We wish to thank Screenhub for making this content available to our subscribers. Please click on each link to read the articles online.   


Wednesday

 

Snakes, Angels and Sustainable Visions
AIDC 2010 formally opened at the Hawke Centre in the University of South Australia, an elegant gallery space with an elegant lecture theatre full of elegant documentary tragics with a sound system that might have worked for a ventriloquist suspended from a crane.

Stanley Hawes Address
Tom Zubrycki delivered the awards address on the first evening of the conference. Here is the full text. Starting anecdotally, in reflective mode about his past, he moves on to critical issues which are central to the evolution of documentary as a culture and an enterprise.

AIDC 2010: Beers, Ferns 'Ice Road Truckers'
W. Paterson Ferns, gifted wrangler of fractious documentarians at conferences, amiably confronts the world's most successful wrangler of the Essential Brute in Western Man - Thom Beers.

Jonathan Stack - Nigeria, Liberia & Angola (the prison, not the country)
Jonathan Stack is a New Yorker and a documentary filmmaker whose first film led to a fifteen year engagagement with Angola Prison, Louisiana (the only way to get out of there was to be executed or die of old age). He has filmed in some of the most dangerous places in the world, and changed that world with his prison docs.

Convergent Media "If you build it, they won't come"
Kirsty Hunter, Head of Interactive at Lion Television in the UK, Australian Jennifer Wilson, Director of The Project Factory, and Canadians Michael McMahon, Executive Producer, Primitive Entertainment and Silva Basmajian, Executive Producer at the National Film Board of Canada, dazzled all with their powerpoint presentations.

Natural History, History and Science Docos at the ABC
Alan Erson ABC commissioning editor ABC in history, natural history and science, Stuart Menzies, Head of Documentaries, want to see Australian native producers petting (or being eaten by) Australian native animals: “(Ant) Lions and (Tasmanian) Tigers and (Drop) Bears, oh my!” - to paraphrase Marilyn Monroe.

An Adventure with Trailer Trash
Every time you see a trailer you make a decision: do I want to see this program, or not. It’s yeah vs. meh. A good pitch trailer can be the difference between your project getting picked up, or not. A good release trailer is often the difference between box office and ratings glory, or not.

Matt Campbell - SBS, and the millions lost with 'Top Gear'
Veteran journalist and interview wrangler Sandy George faced Matt Campbell, who has steered SBS on a long, strange path between advertising, squeezed budgets, and a wonderful documentary heritage.

SBS - Shiny New Doc Teams Finds its Tarnish
By SBS’s own admission and in their own words “for the past year, things haven’t been as clear as they could have been because of the new team at SBS, a bit like Screen Australia perhaps. There has been a fair bit of uncertainty…” but this afternoon proved that they believe that they are alive and kicking.

In conversation with the ABC
Stuart Menzies and Dasha Ross provided an overview of the ABC’s documentary programming wish-list – for both contemporary and indigenous documentary program making.

In conversation with Alan Rosenthal
Alan Rosenthal, a long term independent, now the Professor of Communications at Hebrew University, Jerusalem, has lived, worked and taught in the UK, America, Israel, Australia, and Mexico. He reflected upon his fifty documentary and docu-drama films, and his obsession with the genre... which he fell into by accident.

The Science Behind Science
The Science behind Science programs of course is an art, as wrangled by Alison Leigh, the editorial director of the World Congress of Science and Factual Producers, with producer Sonya Pemberton, Amanda Tyndall from the newly formed Royal Institution of Australia, and Dr Judy Ford.


Thursday

 

Editor's Hour with Storyville, BBC Scotland and BBC World News 
Along with the hallowed name, sorry .. brand.. of BBC Storyville, BBC Scotland and BBC World News laid out their spaces defined by a changing monolith.

ABC Arts Wants Your Eyeballs
Amanda Duthie is head honcho of Arts and Entertainment at ABC TV, and is in her third year in this role. She is responsible for both arts documentaries and nurturing emerging filmmakers - both hot button topics for producers with challenging projects.

A Glimpse Behind the Curtain: Doco Sellers and Buyers
A moment of pure, sparkling reality dropped into the AIDC when experienced international sales agent Esther van Messel pitched a real project to the Holy of Holies - Storyville. And both parties told the truth about the process.

It’s All Media
The full title of this session was It’s All Media With New Money Using Heritage Principals. It was about how Marcus’ company approaches development, financing and production of their award-winning all-media projects such as 'Storm Surfers', which is about to go into a second incarnation.

The F4 Experience
William Head, recent VCA graduate, was selected for the F4 program, which provides a strand by which eight emerging filmmakers can explore the AIDC. At the same time, the mainstream delegates can connect with the issue of renewal. This is William's experience of the program - a small tribute to the power of POV.

AIDC Screen Hub Coverage

 

 


 

Working with Global Broadcasters and Donors
As money gets tighter, and global television outlets pour off the satellites, producers and networks turn to less and less traditional sources of funding. (We should probably admit we have a new category: CDAS projects, or commissioned, donated and sponsored.)

Growing from Subsidy to Self-reliance
By the end of the AIDC, there was a fair consensus about this session, in which Cathy Henkel applied a systematic template to dissect career development, and applied it to her own story: it was the stand-out best moment of the conference.

Making Films with NGOs
This session, presented by Mitzi Goldman, took the form of a conversation about how filmmakers working with NGOs or Not for Profit Organisations

Why Let Ethics Get in the Way of a Good Story?
Almost all the truly contentious issues in documentary can be collected around the one phrase: documentary ethics. What happens when a group of documentary filmmakers discuss their private morality in a public space?

Helping Your Documentary Reach Out and Educate
Thirteen rules for social and educational documentary filmmaking. There's a market in them thar non-government organisations!

Co-Productions and Offsets: Getting them to Work
A full house for financial mechanisms, co-pros and offsets as filmmakers strive for rationality and strive to comprehend the bureaucratic settings for success. And make a bit of money on the side.

Compass - Religious Warhorse Beatified by Independent Filmmakers
Compass, the venerable ABC TV concession to matters of belief and ethics, is a significant sacred zone for thoughtful filmmakers who agree to keep their visions modest. In its quiet way, it is racking up some successes with independent filmmakers.

Cathy Henkel and the Offset that Haunts Us All
There’s no question that the producer’s offset has changed the filmmaking landscape in Australia. There’s also no question that not everyone is singing hosannas about it. Or that some producers are finding a map to the promised land.


Friday

 

Keynote - Paul Gibbs - The World is My Audience
Paul Gibbs, the Head of Programmes at BBC World News had a simple task at the AIDC - “I want to persuade you it is a good idea to consider playing with us.” On the way, he redefines the future of global television, borrows a funding model from PBS in the US, and plays in the murky world of propaganda.

It's a Wrap
Who better to reflect on the AIDC than Julie Marlow, gracious veteran of production, bureaucracy, international markets, policy development, advocacy and a reviving laugh??

The Plenary Session
The very last session at AIDC 2010 finally compiled the various tensions and debates in the one moment of truth. And there's plenty here to take away and chew over. Which, after all, is why we have a Conference.

Ruth Harley Speaks, and Deals with Probing Questions
As CEO of Screen Australia, Dr Ruth Harley is a key player in shaping the funding and cultural landscape of screen expression. After her speech, she was watched very carefully as she picked her way through questions from UK commentator and filmmaker Steve Hewlitt, and a fascinated audience.

Beyond Social Media - Web 3.0
Just when you thought you might have finally gotten your head around the idea of Web 2.0, suddenly they’re talking Web 3.0. In a session called “Beyond Social Media: Documentary and the Intelligent Web”, delegates got a taste of some of the latest web-oriented thinking.

Copyright Law – A User Friendly Guide for Documentary Makers
Good documentary makers are wonderful cinematic artists, deploy ethics and integrity, are patient and noble. They also need to understand tax law and copyright. This is the copyright bit.

F4 Winners Announced in Release
After eighty entries and seven finalists, Elizabeth Tadic won the inaugural F4 Award for Outstanding New Documentary Talent with Umoja: Where Women Run Wild.

Selling Australia to the World
How can Australian films find international audiences? What is the role of global broadcasting? How do you deal with distributors? John Hughes, Mike Piper and Michael Cordell looked at a world of possibilities, moderated by Silva Basmajian, from the National Film Board of Canada.

NITV The Story So Far
National Indigenous Television is now three years old: mostly off the mainstream radar, it has a unique relationship with its audience, the government, and the independent sector.

Jonathan Smith Masterclass
Jonathon Smith, the Executive Producer and Director of ‘The Family’, a highly successful BBC TV documentary series gave a two hour master-class on the last day at the AIDC. It was an entertaining and intriguing insight into an entertaining and intriguing doco-reality experiment.

Bondi Rescue
Bondi Rescue produced by Jigsaw Productions for Network 10, aired in the Tuesday 8pm slot, is still going strong after five years. Series Producer Ben Davies and Executive Producer Michael Cordell reflected on its history, and techniques.

The Global Channels and Their Chums
Many pay television channels are just plain global, bringing new issues of editorial control and financing for documentary filmmakers, as well as potential new funding partners. This is the take from Al Jazeera (not a terrorist channel) and BBC World News (not funded by the government, by the way, old chap).